Anna Calvi’s
sophomore release is clearly a beautiful and well crafted album from the start.
She emerges from the shadows of any artists she may have been compared with in
the early stages of her career, like a caterpillar that has come into daylight
as a brand new butterfly. She proves she can fly and impress with a flight
pattern all of her own. The music across these 11 songs shifts the listener
through a wide array of feelings, from discomfort to sublime ecstasy.
The sonic
palette, from gentle almost whispered vocals surrounded by delicate guitar and
instrumentation up to almost heavy rock distortion and noise, often in the
space of a moment, causes the listener to never have a chance to settle,
endlessly on the edge of the seat, as if following a film with the most
gripping of plots. The moments in which she sweeps us away with cinematic
strings and classical, in fact, operatic waves of orchestral music, both
vocally and instrumentally, are tantamount to being attacked, tied up and
tortured, such is the gravitas of intensity. It is a phenomenal sound, as powerful
as you could expect or ever be likely to encounter. She has new ideas, she is
playful, yet it is all executed with precision and grace. She has a knack of
finding the sounds that are in her heart and in her head, and they are highly
listenable, catchy in parts, and intoxicating.
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